BEGIN:VCALENDAR VERSION:2.0 PRODID:-//The Canadian Institute for Mediterranean Studies - ECPv6.4.0//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:The Canadian Institute for Mediterranean Studies X-ORIGINAL-URL:https://www.mediterraneanstudies.ca X-WR-CALDESC:Events for The Canadian Institute for Mediterranean Studies REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Toronto BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20230312T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20231105T060000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/Toronto:20230330T190000 DTEND;TZID=America/Toronto:20230330T200000 DTSTAMP:20240503T091922 CREATED:20220907T012220Z LAST-MODIFIED:20230323T135857Z UID:987-1680202800-1680206400@www.mediterraneanstudies.ca SUMMARY:Visualizing Voice: The Myth of Echo and Narcissus in Ovid’s Metamorphoses and Pompeiian Wall Paintings DESCRIPTION:Mariapia Pietropaolo\, McMaster University \n \nOne of the most popular stories from ancient Greek and Roman mythology is the story of Narcissus in love with his own watery image. In the Metamorphoses\, the Roman poet Ovid also includes the story of the nymph Echo’s unrequited love for Narcissus. Rejected by him\, she begins to fade away until she exists only as a disembodied voice. The myth was also a popular subject of wall paintings in and around Pompeii. In this paper\, I discuss the relationship between the textual and figurative representations of Echo’s voice\, and I explore the aesthetic problem of painting a voice. \n  \nZoom link: https://utoronto.zoom.us/j/86786144716 \nCo-sponsored by the Istituto Italiano di Cultura and the University of Toronto Department of Art History. \n    URL:https://www.mediterraneanstudies.ca/lecture/visualizing-voice/ LOCATION:Online with Zoom CATEGORIES:Toronto Chapter END:VEVENT END:VCALENDAR