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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20210418T130000
DTEND;TZID=America/Toronto:20210418T140000
DTSTAMP:20220208T035235Z
CREATED:20210519T191204Z
LAST-MODIFIED:20220208T035235Z
UID:17-1618750800-1618754400@www.mediterraneanstudies.ca
SUMMARY:Digging Homer: The Mycenaean Palace at Iklaina and the Birth of Greek Epic Poetry
DESCRIPTION:Dr. Michael B. Cosmopoulos\, Hellenic Government-Karakas Family Foundation Professor of Archaeology and Chair of the Department of Anthropology and Archaeology\, University of Missouri-St. Louis \nFor thousands of years Homer’s Iliad has remained the classic tale of love\, honor\, and war. Exciting archaeological discoveries in the past 150 years have unearthed the great palaces of the Homeric heroes and revived the fascinating society of the Mycenaeans. In antiquity itself\, and in our memory of antiquity\, the great palaces at Mycenae\, Tiryns\, Pylos\, and Troy stand at the crossroads between myths and historical reality. The world of the Mycenaeans still holds\, however\, many surprises. Recent excavations at the site of Iklaina have brought to light one of the capitals of the Mycenaean state of Pylos. Massive Cyclopean structures\, monumental buildings decorated with beautiful wall paintings\, advanced urban infrastructure\, and the earliest known records of state bureaucracy challenge current knowledge about the origins and operation of Mycenaean states and allow us a glimpse into previously unknown aspects of the Homeric epics. In this illustrated lecture Professor Cosmopoulos will present the exciting archaeological discoveries at Iklaina and discuss their significance for the historical foundation of Homer’s epics. \nDr. Michael B. Cosmopoulos is the Hellenic Government-Karakas Family Foundation Professor of Archaeology and Chair of the Department of Anthropology and Archaeology\, at the University of Missouri-St. Louis. Before coming to UMSL\, he was Professor of Classics at the University of Manitoba. His research interests are the culture\, religion\, and political organization of ancient Greece\, about which he was published 16 books and over 100 scholarly articles and papers. He has excavated at several ancient sites in Greece and Ukraine and is currently directing the Iklaina Archaeological Project. For his teaching he has been awarded several teaching awards\, including the Archaeological Institute of America Award for Excellence in Teaching. He is an elected Fellow of the Royal Society of Canada\, of the Academy of Science St. Louis\, of the European Academy of Sciences and Arts\, a Corresponding Member of the Athens Academy of Arts and Sciences\, and a National Geographic Society Explorer. For more information please visit www.michaelcosmopoulos.org
URL:https://www.mediterraneanstudies.ca/lecture/digging-homer-the-mycenaean-palace-at-iklaina-and-the-birth-of-greek-epic-poetry/
CATEGORIES:Ottawa Chapter
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20210321T140000
DTEND;TZID=America/Toronto:20210321T150000
DTSTAMP:20220717T012753Z
CREATED:20210622T214116Z
LAST-MODIFIED:20220717T012753Z
UID:136-1616335200-1616338800@www.mediterraneanstudies.ca
SUMMARY:Anatomy as Religion: The Body in Ancient Italian Votive Practice
DESCRIPTION:Professor Rebecca Flemming\, Jesus College\, Cambridge University. \n \nTens of thousands of votive objects\, mostly in terracotta\, survive from religious sanctuaries across Republican central Italy (from the fourth to the first centuries BC). Many are in the shape of body parts\, external and internal\, single and multiple\, even displayed within a whole human torso or figure\, and they are usually interpreted as representing engagements with the divine about health and healing\, broadly construed. They offer key insights into both religion in early Italy and ideas about the human body. This lecture first offers an overview of the extant material and the cult practice\, the address and thanks to the gods that these artefacts embody\, summarizing both recent finds and new scholarship on the phenomenon of the anatomical ex-voto. The focus then turns to the ‘polyviscera’\, the objects which depict multiple organs\, in a range of presentational styles\, and to the meanings they might have\, both in terms of the ways the human body was understood in antiquity\, and the ways divinities might be invited to intervene in it. \nCo-sponsored by the Ottawa Chapter of the Archaeological Institute of America.
URL:https://www.mediterraneanstudies.ca/lecture/anatomy-as-religion-the-body-in-ancient-italian-votive-practice/
LOCATION:Online with Zoom
CATEGORIES:Ottawa Chapter
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20210307T140000
DTEND;TZID=America/Toronto:20210307T150000
DTSTAMP:20220717T012528Z
CREATED:20210622T212631Z
LAST-MODIFIED:20220717T012528Z
UID:120-1615125600-1615129200@www.mediterraneanstudies.ca
SUMMARY:Renaissance Readers and Their Books: Representations of a Fugitive Act
DESCRIPTION:Antonio Ricci\, York University \n \nThe image of a person holding a book appears frequently in Renaissance art and literature. The privileged status of texts in humanist culture and their proliferation after the coming of print technology contributed to the motif’s popularity. This lecture will examine depictions of readers in paintings and poems of the fifteenth and sixteenth centuries. The intention is to recover aspects of the experience of reading during the period and\, at the same time\, to gain a measure of insight into what remains an elusive phenomenon. What does reading mean? What is it\, really\, that we are doing when we engage in this fundamentally human act? The Renaissance offers us intriguing answers. \nGenerously funded by Joe Di Geso. \nPresented jointly by CIMS Ottawa and CIMS Toronto.
URL:https://www.mediterraneanstudies.ca/lecture/renaissance-readers-and-their-books-representations-of-a-fugitive-act/
LOCATION:Online with Zoom
CATEGORIES:Ottawa Chapter,Toronto Chapter
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20210221T140000
DTEND;TZID=America/Toronto:20210221T150000
DTSTAMP:20220207T223126Z
CREATED:20210519T154828Z
LAST-MODIFIED:20220207T223126Z
UID:22-1613916000-1613919600@www.mediterraneanstudies.ca
SUMMARY:The Beauty and Enigma of Roman Crete
DESCRIPTION:Professor George W. M. Harrison\, Carleton University \nTourists are attracted to Crete for the splendours of Minoan Knossos and other Bronze Age sites. The architecture of Roma Crete is as substantial as the earlier periods and the importance of Crete to the Roman Empire rivals the earlier periods. Dr. Harrison looks at the key sites but also presents material from sites tourists rarely see. The paper balances information with interpretation of the data and limitations of the evidence\, particularly as applied to Romanization. Comparisons with Ottoman Crete/Crete during enosis with Greece are made especially in two areas: the micro-economies of thrift and the crucial influence of new technologies on culture. \nDr. Harrison first started working on Crete in 1980 as a graduate student and in 2008 was elected to the Société internationale des amis de Nikos Kazantzakis.
URL:https://www.mediterraneanstudies.ca/lecture/the-beauty-and-enigma-of-roman-crete/
CATEGORIES:Ottawa Chapter
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20201118T190000
DTEND;TZID=America/Toronto:20201118T200000
DTSTAMP:20220717T012305Z
CREATED:20210622T212021Z
LAST-MODIFIED:20220717T012305Z
UID:108-1605726000-1605729600@www.mediterraneanstudies.ca
SUMMARY:Portraits of a Forgotten Kingdom: Tayanat Sculptures and Other Recent Discoveries on the Plain of Antioch in Southeastern Turkey
DESCRIPTION:Dr. Timothy Harrison\, Professor\, Department of Near and Middle Eastern Civilizations\, University of Toronto \n \nThe remains of a series of majestic sculptures have been uncovered during the University of Toronto’s ongoing excavations at Tell Tayinat (ancient Kunulua)\, royal city of the Neo–Hittite Kingdom of Palastin/Walastin\, located in the North Orontes Valley\, southeastern Turkey. The sculptures\, found carefully deposited in the vicinity of a monumental gate leading to the site’s upper mound\, or citadel\, include the head and torsos of male and female figures\, the latter intentionally—possibly ritually—defaced in antiquity\, a winged bull andsphinx\, and a magnificently carved lion figure. The sculptures date to the early 9th century BCE\, and they are identified in inscriptions as the representations of important royal figures in the ruling Neo–Hittite dynasty at Tayinat\, contemporary rivals of the Phoenicians and biblical Israelites to the south. The discovery of the Tayinat sculptures accentuates the remarkable sculptural tradition of the Iron Age communities of Syro–Anatolia\, and highlights the innovative role these communities played in thebroader cultural and political ferment witnessed in the eastern Mediterranean during the early centuries of the first millennium BCE. This illustrated lecture will present these extraordinary sculptures and other recent discoveries of the Tayinat Archaeological Project (TAP) excavations and contextualize these discoveries within the broader cultural milieu of the early first millennium eastern Mediterranean world.
URL:https://www.mediterraneanstudies.ca/lecture/portraits-of-a-forgotten-kingdom-tayanat-sculptures-and-other-recent-discoveries-on-the-plain-of-antioch-in-southeastern-turkey/
LOCATION:Online with Zoom
CATEGORIES:Ottawa Chapter,Toronto Chapter
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20201115T140000
DTEND;TZID=America/Toronto:20201115T150000
DTSTAMP:20220208T004057Z
CREATED:20210622T213546Z
LAST-MODIFIED:20220208T004057Z
UID:132-1605448800-1605452400@www.mediterraneanstudies.ca
SUMMARY:New Sappho and Digital Forensics: Technology in the Service of Scholarly Integrity
DESCRIPTION:Professor C. Michael Sampson\,\, University of Manitoba. \nSappho\, the enigmatic Greek poet from the Island of Lesbos\, was praised for her poetic style and ridiculed for her supposed immorality even in antiquity. Subject to controversies about her life\, her family\, and of course\, her sexuality\, her poetry continues to be a focus of fascination and study. Her work survives almost entirely in small but precious fragments. \nIn 2014 a surprise announcement that two new fragmentary poems preserved on papyrus had been discovered\, one of which was five stanzas long\, made international headlines and excited scholars around the world. Soon thereafter\, however\, details of the discovery began to raise eyebrows: the provenance of the fragments—their origins\, acquisition\, and ownership history—were all very murky. \nResearch has subsequently shown that the history of the fragments is entangled in the sensational allegations\, featured repeatedly in major media outlets since 2019\, of the removal of and illicit trade in Oxyrhynchus papyri from the collection of the Egypt Exploration Society at Oxford. \nBiographical notes: \nProfessor Sampson is Associate Professor\, Faculty of Arts\, Department of Classics at the University of Manitoba. He obtained his PhD from the University of Michigan\, his MA from Dalhousie University and his BA from University of King’s College.
URL:https://www.mediterraneanstudies.ca/lecture/new-sappho-and-digital-forensics-technology-in-the-service-of-scholarly-integrity/
CATEGORIES:Ottawa Chapter
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20201108T140000
DTEND;TZID=America/Toronto:20201108T150000
DTSTAMP:20220208T003610Z
CREATED:20210622T213418Z
LAST-MODIFIED:20220208T003610Z
UID:129-1604844000-1604847600@www.mediterraneanstudies.ca
SUMMARY:Creativity in Aegean Bronze Art
DESCRIPTION:Professor Carl Knappett\, Department of Art\, University of Toronto \nProfessor Knappett brings novel perspectives to Aegean Bronze Age art that are inspired by theory drawn from art\, archaeology and anthropology. He identifies distinct actions such as modelling\, combining and imprinting whereby meaning is scaffolded through the materials themselves. By showing how these actions work\, Knappett brings life to the fascinating art of Minoan Crete. He makes an argument for not just how creativity emerges through specific material engagements but also why creativity might be especially valued at particular moments. \nBiographical Notes \nProfessor Knappett obtained his PhD in Archaeology at Cambridge University\, UK\, in 1997 and his BA/MA in Archaeology at St. John’s College\, Cambridge. He has been Professor at the University of Toronto since 2012 (Walter Graham/Homer Thompson Chair in Aegean Prehistory). \nHe had several appointments in both the Department of Art and Anthropology and Classics at the University of Toronto\, as well as member of several Committees in Paris\, Leuven\, Belgium\, London UK and was a Getty Scholar at the Research Institute in Los Angeles. He obtained several grants from SSHRC for his excavation projects in the Palace and Landscape at Palaikastro\, a Minoan harbour town in eastern Crete (PALAP). He is the author and editor of An Archaeology of Interaction (2011)\, Network Analysis in Archaeology (2013) and Thinking through Material Culture (2005).
URL:https://www.mediterraneanstudies.ca/lecture/creativity-in-aegean-bronze-art/
CATEGORIES:Ottawa Chapter
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20201004T140000
DTEND;TZID=America/Toronto:20201004T150000
DTSTAMP:20211005T022927Z
CREATED:20210622T213221Z
LAST-MODIFIED:20211005T022927Z
UID:127-1601820000-1601823600@www.mediterraneanstudies.ca
SUMMARY:Exhibiting Nubia in Today's World
DESCRIPTION:Rita Freed\, Museum of Fine Arts\, Boston. \n“Black Lives Matter\,” “colonialism\,” “institutionalized racism\,”…these are but a few of the issues confronting us today. Can archaeology – and specifically Nubian archaeology and culture make a positive contribution? I will argue a definitive “yes!” in this presentation\, which will showcase the superb Nubian collection of the Museum of Fine Arts\, Boston\, while owning up to past mistakes and addressing possible ways of correcting them to make ancient Nubia relevant in the world of the 21st Century. \nBiographical notes: \nRita Freed obtained her at BA from Wellesley College and her PhD in Near Eastern Art and Archaeology from New York University. She is currently Curator\, Department of Ancient Egyptian\, Nubian and Near Eastern Art\, Boston Museum of Fine Arts (1989-present) and Adjunct Professor\, Wellesley College (1991-present). Her previous positions included: Exhibition assistant of Egyptian Art\, Boston Museum of Fine Arts (1978-1982); Curator\, University of Memphis (1983); Founding Director\, Egyptian Gallery\, University of Memphis (1984); research assistant at the Brooklyn Museum and the Metropolitan Museum of Art. Selected publications include: Pharaohs of the Sun: Akhenaten\, Nefertiti\, Tutankhamen (co-authored\, 1999)\, Ramses II: The Great Pharaoh and His Time (1987)\, and numerous exhibition catalogues.
URL:https://www.mediterraneanstudies.ca/lecture/exhibiting-nubia-in-todays-world/
CATEGORIES:Ottawa Chapter
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20200927T140000
DTEND;TZID=America/Toronto:20200927T150000
DTSTAMP:20220106T063738Z
CREATED:20210622T213014Z
LAST-MODIFIED:20220106T063738Z
UID:123-1601215200-1601218800@www.mediterraneanstudies.ca
SUMMARY:Imagining the Sights and Sounds of Ancient Ritual at the Yale University Art Gallery
DESCRIPTION:Dr. Carolyn Laferrière\, Yale University Art Gallery \nIn the ancient world\, religious rituals were multisensory experiences\, filled with vibrantly colored representations of supernatural beings\, resonant musical sounds\, billowing clouds of incense\, and the taste of food and drink. This lecture considers the ways in which these rituals appealed to the senses through objects that would have drawn worshippers into closer proximity to divine forces. \nDr. Carolyn M. Laferrière is a Postdoctoral Scholar and Teaching Fellow at the University of Southern California’s new Center for the Premodern World. Previously\, she was a Postdoctoral Associate with Archaia\, Yale University’s program for the interdisciplinary study of the ancient world. \nShe earned her Ph.D. in 2017 from Yale in the Department of the History of Art. Her current book project\, Seeing the Songs of the Gods: Divine Music in Archaic and Classical Greek Art\, examines the significance of divine music in ancient Greek art\, exploring how musical sounds are communicated in a visual medium and the effect that images of the gods’ performance had upon ancient viewers. In 2018-19 she curated Sights and Sounds of Ancient Ritual\, an exhibition at the Yale University Art Gallery\, which took a cross-cultural approach to its investigation into the sensory experience of ancient ritual practice by focusing upon objects created and used by premodern worshippers in the Mediterranean\, China\, the Americas\, and the Indo-Pacific region.
URL:https://www.mediterraneanstudies.ca/lecture/imagining-the-sights-ad-sounds-of-ancient-ritual-at-the-yale-university-art-galery/
CATEGORIES:Ottawa Chapter
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120430
DTEND;VALUE=DATE:20120501
DTSTAMP:20220325T142520Z
CREATED:20220325T142520Z
LAST-MODIFIED:20220325T142520Z
UID:748-1335744000-1335830399@www.mediterraneanstudies.ca
SUMMARY:Turkish Tulip: Its History and International Ties
DESCRIPTION:Füsun Ören
URL:https://www.mediterraneanstudies.ca/lecture/turkish-tulip-its-history-and-international-ties/
CATEGORIES:Ottawa Chapter
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120430
DTEND;VALUE=DATE:20120501
DTSTAMP:20220325T142416Z
CREATED:20220325T142416Z
LAST-MODIFIED:20220325T142416Z
UID:746-1335744000-1335830399@www.mediterraneanstudies.ca
SUMMARY:The Turkish Exquisite Art of Ceramics and Its Impact in the Mediterranean Region
DESCRIPTION:Ersen Cogulu\, Docent\, National Gallery of Canada
URL:https://www.mediterraneanstudies.ca/lecture/the-turkish-exquisite-art-of-ceramics-and-its-impact-in-the-mediterranean-region/
CATEGORIES:Ottawa Chapter
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20120316T000000
DTEND;TZID=America/Toronto:20120316T000000
DTSTAMP:20220325T141810Z
CREATED:20220325T141810Z
LAST-MODIFIED:20220325T141810Z
UID:743-1331856000-1331856000@www.mediterraneanstudies.ca
SUMMARY:DVD Screening of “Mozart in Turkey” featuring the opera “Abduction from the Seraglio”
DESCRIPTION:
URL:https://www.mediterraneanstudies.ca/lecture/dvd-screening-of-mozart-in-turkey-featuring-the-opera-abduction-from-the-seraglio/
CATEGORIES:Ottawa Chapter
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20120219T140000
DTEND;TZID=America/Toronto:20120219T150000
DTSTAMP:20220325T142207Z
CREATED:20220325T141645Z
LAST-MODIFIED:20220325T142207Z
UID:741-1329660000-1329663600@www.mediterraneanstudies.ca
SUMMARY:Trojan War as Myth and History: An Anatolian Perspective
DESCRIPTION:Shane Hawkins\, Carleton University
URL:https://www.mediterraneanstudies.ca/lecture/trojan-war-as-myth-and-history-an-anatolian-perspective/
CATEGORIES:Ottawa Chapter
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20111210T193000
DTEND;TZID=America/Toronto:20111210T203000
DTSTAMP:20220208T052551Z
CREATED:20220208T052451Z
LAST-MODIFIED:20220208T052551Z
UID:678-1323545400-1323549000@www.mediterraneanstudies.ca
SUMMARY:A Concert by Mauro Bertoli\, at the piano
DESCRIPTION:Mauro Bertoli\, Associate Performance Faculty Member\, Department of Music\, Carleton University. \nI. Music by composers of the 18th century: Paradisi\,Cimarosa\, Scarlatti\, ClementiII Dedicated to children \, with music by Rossini; Casella; RotaIII. LizstIV The Moderns: Pizzetti; Martucci\, Wolf Ferrari.Mauro Bertoli\, pianist\, born in Italy\, winner of many International Piano Competitions\, has established himself on the international stage and has been praised by the press for his formidable technique and his exceptional sensitivity. He has performed as soloist\, chamber music and with orchestra for important Festivals and in major concert halls throughout Europe\, North America\, Israel\, Brazil and China. He presently lives in Ottawa where he is Associate Performance Faculty Member\, Department of Music\, at Carleton University.\n \nPresented in collaboration with the Dante Alighieri Society.
URL:https://www.mediterraneanstudies.ca/lecture/a-concert-by-mauro-bertoli-at-the-piano/
CATEGORIES:Ottawa Chapter
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20111205T193000
DTEND;TZID=America/Toronto:20111205T203000
DTSTAMP:20220208T052144Z
CREATED:20220208T052144Z
LAST-MODIFIED:20220208T052144Z
UID:676-1323113400-1323117000@www.mediterraneanstudies.ca
SUMMARY:The Christianization of the Roman Forum in the Early Middle Ages
DESCRIPTION:John Osborne\, Dean of Arts and Social Sciences\, Carleton University \nThe Roman Forum stood at the heart of the ancient city\, replete with temples\, basilicas\, and numerous other buildings\, both public and private. But visitors to the city in the 19th century describe it as a cow pasture\, devoid of habitation. This talk will explore what happened to the Roman Forum in the centuries after the emperors moved to Constantinople\, and responsibility for the upkeep of the city slowly devolved from the state to the Christian church\, in the person of Rome’s bishop\, the pope. What was the effect of this transformation on the physical space at the centre of the city? And how long did the Roman Forum remain in use before it fell into decay?John Osborne is a medievalist and cultural historian\, with a special focus on the art and archaeology of the cities of Rome and Venice in the period between the sixth and thirteenth centuries. His numerous publications cover topics as varied as the Roman catacombs\, the fragmentary mural paintings from excavated churches such as San Clemente and S. MariaAntiqua\, the decorative program of the church of San Marco in Venice\, 17th-century antiquarian drawings of medieval monuments\, and the medieval understanding and use of Rome’s heritage of ancient buildings and statuary. He is also interested in problems of cultural transmission between Western Europe and Byzantium. A graduate of Carleton University\, the University of Toronto\, and the University of London\, he has held faculty and administrative positions at theUniversity of Victoria (1979-2001) and Queen’s University (2001-2005)\, and is currently Dean of the Faculty of Arts and Social Sciences at Carleton. Promoted to the rank of full professor in 1989\, he has held visiting fellowships at Corpus Christi College\, Cambridge; the Istituto Ellenico di Studi Bizantini\, Venice; and the Dumbarton Oaks Center for Byzantine Studies\, Washington. In 2006 he was elected as an Honorary Fellow of the British School at Rome.
URL:https://www.mediterraneanstudies.ca/lecture/the-christianization-of-the-roman-forum-in-the-early-middle-ages/
CATEGORIES:Ottawa Chapter
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20111019T180000
DTEND;TZID=America/Toronto:20111019T190000
DTSTAMP:20220208T052803Z
CREATED:20220208T051730Z
LAST-MODIFIED:20220208T052803Z
UID:673-1319047200-1319050800@www.mediterraneanstudies.ca
SUMMARY:New Light on the Etruscans
DESCRIPTION:Christopher Smith\, Director\, British School in Rome \nProfessor Smith’s lecture on the Etruscans will cover new theories on the mysterious Etruscans who retain their fascination for modern audiences – the combination of stunning artwork\, and the alleged ‘mystery’ of their language and origins are enticing. In this lecture\, recent work in Etruria will be discussed which begins to change the ways we think about the Etruscans – and to make them at the same time somewhat less mysterious\, but perhaps even more interesting. \nChristopher Smith was educated at Oxford University\, and is Professor of Ancient History at the University of St Andrews. He is currently Director of the British School at Rome\, a leading research centre for archaeology\, art history\, history and the fine arts\, which has also been a centre for Canadian scholarship. His work embraces the archaeology of early Rome\, and the traditions about the early city\, and he is also the editor of a major new edition of the fragmentary Roman historians. \nOrganized by the Greek and Roman Studies\, Department at Carleton University\, in partnership with CIMS and the Archaeological Institute of America.
URL:https://www.mediterraneanstudies.ca/lecture/new-light-on-the-etruscans/
CATEGORIES:Ottawa Chapter
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20111018T193000
DTEND;TZID=America/Toronto:20111018T203000
DTSTAMP:20220208T052706Z
CREATED:20220208T051259Z
LAST-MODIFIED:20220208T052706Z
UID:668-1318966200-1318969800@www.mediterraneanstudies.ca
SUMMARY:Thinking About Kings
DESCRIPTION:Christopher Smith\, Director\, British School in Rome \nThe tradition of the Roman kings is firmly fixed in the canonical accounts of the early history of Rome. Although we know that much of the tradition must be invented\, the processes by which this invention took place have seldom been analyzed in detail. Profesor Smith will look at what modern scholars have done with the tradition of the kings\, and also will discuss how and when the tradition of Roman kingship came to be formed. \nChristopher Smith was educated at Oxford University\, and is Professor of Ancient History at the University of St Andrews. He is currently Director of the British School at Rome\, a leading research centre for archaeology\, art history\, history and the fine arts\, which has also been a centre for Canadian scholarship. His work embraces the archaeology of early Rome\, and the traditions about the early city\, and he is also the editor of a major new edition of the fragmentary Roman historians.\n \nOrganized by the Greek and Roman Studies\, Department at Carleton University\, in partnership with CIMS and the Archaeological Institute of America.
URL:https://www.mediterraneanstudies.ca/lecture/thinking-about-kings/
CATEGORIES:Ottawa Chapter
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DTSTART;TZID=America/Toronto:20110921T193000
DTEND;TZID=America/Toronto:20110921T203000
DTSTAMP:20220208T051323Z
CREATED:20220208T050957Z
LAST-MODIFIED:20220208T051323Z
UID:666-1316633400-1316637000@www.mediterraneanstudies.ca
SUMMARY:Beauty\, Victory\, Death\, and Marriage in Archaic Athens: Phrasikleia and the Merenda Kouros
DESCRIPTION:Susan Rotroff\, Washington University in St. Louis \nIn 1972 Greek archaeologists unearthed two nearly complete Archaic (800 to 480 BC) statues a foot below the modern surface of an olive grove in the countryside of Attica\, outside the city of Athens. They represent a young man and a young woman of the second half of the 6th century BC\, carved in the traditional static pose of the time. They had been erected as grave markers in a nearby family cemetery. But\, after standing guard over the deceased for only a short period of time\, they had been deliberately removed and buried. \nWho are the deceased? What\, precisely\, do the statues represent? Why were they chosen to mark these particular graves? What achievements or qualities of the deceased – either real or desired – do they commemorate\, and what funeral practices may they document? And what threat impelled family members to bury these splendid grave monuments so soon after their erection? In her lecture\, Professor Susan Rotroff will address these questions\, and explore the ways in which the statues reflect the interconnected themes of youth\, beauty\, athletic prowess\, marriage and death in the society of 6th-century Athens. \nSusan Rotroff is a Classical archaeologist who specializes in the archaeology of Athens and in Greek ceramics. Educated at Bryn Mawr College and Princeton University\, she has worked at several sites in Greece (Lefkandi\, Corinth\, Karystos\, Samothrace) and Turkey (Troy\, Sardis\, Cilicia). Her primary association\, however\, has been with the Agora Excavations\, where archaeologists are investigating the ancient civic center of Athens. Her research focuses on the ways in which ceramic evidence informs us about the activities and behavior of ancient peoples. She has taught at Mount Allison University\, in Canada\, and at Hunter College; currently she is the Jarvis Thurston and Mona van Duyn Professor in the Humanities at Washington University in St. Louis. She has published three volumes on the Hellenistic ceramics of the Athenian Agora and has recently been working in Turkey on an underwater survey at Kaledran\, and on the excavation of a Roman ship at Kizilburun. \nThis is a Norton Lecture\, named for Charles Eliot Norton\, the founder and first President of the AIA and former Professor of the History of Art at Harvard University. The Norton Lectureship is part of the AIA’s National Lecture Program
URL:https://www.mediterraneanstudies.ca/lecture/eauty-victory-death-and-marriage-in-archaic-athens-phrasikleia-and-the-merenda-kouros/
CATEGORIES:Ottawa Chapter
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